RULES OF DEVELOPMENT aka HOW TO TALK TO A SCREENWRITER

Rule One
READ THE SCRIPT IMMEDIATELY .

Rule Two
YOU'VE FINISHED THE SCRIPT, NOW CALL THE WRITER IMMEDIATELY AND PRAISE THEM!

Rule Three
BEGIN YOUR PRAISE WITH A VAGUE COMPLIMENT, THEN FOLLOW IT UP WITH SOME SPECIFIC POSITIVE COMMENTS.

Rule Four
SET THE MEETING AND STICK TO IT

Rule Five
THE MEETING - START A VAGUE POSITIVE STATMENT

Rule Six
DO YOUR BEST TO TAKE A POSITIVE ATTITUDE TOWARD THE SCRIPT

Rule Seven
GO THROUGH THE ENTIRE SCRIPT PAGE BY PAGE AND TELL THEM SPECIFICALLY ALL THE MOMENTS YOU LIKE!

Rule Eight
BEING NICE PAYS OFF - AKA THE BENEFITS OF BEING POSITIVE

Rule Nine
WHEN GIVING A SCRIPT CORRECTION BE AS SPECIFIC AS POSSIBLE

Rule Ten
DON'T PUSSYFOOT ABOUT WHAT YOU DON'T LIKE.

Rule Eleven
ASK QUESTIONS!

Rule Tweleve
CONVINCE THE WRITER THERE ACTUALLY IS A PROBLEM

Rule Thirteen
SOMETIMES YOU WILL BE WRONG.

Rule Fourteen
THE WRITER IS WRONG AND REFUSES TO SEE IT. WHAT DO I DO?

Rule Fifteen
DON'T OFFER SOLUTIONS. CONVINCE THE WRITER THERE'S A PROBLEM AND THEN LET THEM COME UP WITH A SOLUTION.

Rule Sixteen
DON'T "SPITBALL" IDEAS. (SEE RULE FIFTEEN)

Rule Seventeen
THE WRITER SHOULD FEEL IT'S THEIR STORY...

Rule Eighteen
BE SPECIFIC ABOUT THE PROBLEM AND VAGUE ABOUT GIVING A SOLUTION

Rule Nineteen
WHAT IF YOU HAVE A GREAT SOLUTION?

Rule Twenty
THERE'S A PROBLEM AND YOU'VE DROPPED HINTS AND DESCRIBED YOUR GREAT IDEA VAGUELY, BUT THE WRITER CAN'T GRAB THE HINT?

Rule Twenty One
SUBMIT YOUR IDEA AS A CLICHE THAT SHOULD BE AUTOMATICALLY DISMISSED

Rule Twenty Two
DANGER! HACK WRITER AHEAD

Rule Twenty Three
PREFERABLY HAVE ONLY ONE PERSON IN A ROOM, ONE EXCLUSIVE DEVELOPMENT EXEC FOR EVERY WRITER

10. DON'T PUSSYFOOT ABOUT WHAT YOU DON'T LIKE.

If you really hate something, go ahead say it ! There's nothing productive about a meeting where people are politely telling you what they don't like. In fact the converse is true, if you really despise something, and you show it - they'll know it either has to go, or be fixed. But more than that...the writer will get the point because you've added some unique emotional value to it. "I hate Kenneth in the second act, all he does is complain I wanted James to strangle him!" Well, you've just explained that you don't like Kenneth and why you don't like him. And the writer will then be able to read the script and see it they way you saw it - and make an appropriate corrections.

MORE RULES UNDER CONSTRUCTION

Entrance * Press * California Living Piece * Premiere Magazine Article * Digital Cinema Article * Bio * Short Dale Launer Bio * Long Dale Launer Bio * Pics * Tom's Nu Heaven Movie Stills * Pictures of Dale * Flicks * Toms Nu Heaven Trailer * Filmography * Words * Creative Hints and Cheats for Writers * The Simple Cure to Writer's Block * National Association of Broadcasters Speech * Response to NAB * Rules of Movie Development * Guestbook * Contact * Sitemap * Links